To close our 2016-17 performance season, the Dance Center is excited and honored to bring yet another new choreographic voice to Chicago audiences: Liz Gerring Dance Company of New York City. Throughout the season we have offered four companies—Tere O’Connor Dance, Ballet de Lorraine, Malpaso Dance Company, and now Liz Gerring’s troupe—that were previously unseen in a full evening presentation on a Chicago stage. This dive into new voices and artistry has refreshed us in countless ways, and lays the rail for more as we anticipate the 2017-2018 season.
Tonight, we welcome the ensemble and Liz’s 2015 work Horizon. Collaborating with composer Michael J. Schumacher, visual/lighting designer Robert Wierzel and costume designer Liz Prince, Gerring contemplates, in this work, a theme of density. Performed in a tightly-framed architectural environment of bright and changing light, the seven dancers take us into a journey of layered dance phrasing and multiplicity of action that is highly inventive and at the same time harkens back to the spatial concerns and rule-breaking of Merce Cunningham and the more formalist early post-modern choreographers. Gerring’s choreography requires extensively trained dancers who can turn on a dime and dance together in one phrase and independently the next, always in seamless transition. It is challenging for the dancers and invites the audience to plunge right in and stick with the activity itself.
Gerring analyzes situations steely-eyed and moves quickly to deploy her forces. Her invigorating new piece “Horizon,” which the Liz Gerring Dance Company unveiled at Montclair State University’s Alexander Kasser Theater last week, is a dance for heroes. —NJArts.net
Abstract dance, or dancing as subject, offers no story narrative to follow and no external “meaning” to figure out or apply to the experience of watching. On the other hand, and in the words of choreographer Margaret Jenkins, we believe that “movement can be its own narrative.” With the work of Liz Gerring, we have the opportunity to track the movement narrative on all of its direct and winding paths, capture the fractured moments, follow the dancing together and dancing apart, and experience the choreographic journey in whatever ways resonate fully for each of us. Is this like traversing a crowded airport on a Friday afternoon, or watching a soccer game, or walking with a friend through an open field….or perhaps all of the above, at various points?
Kinesthetic watching invites us to open our imaginations to new ways of experiencing dance, and to applications that are far more freeing than “just” following a story. Of course, too, you can make up a story or series of stories about what is happening as you watch. On the other hand, there is pleasure enough, sometimes, in simply seeing remarkable dancers on the stage, doing beautiful and surprising things. This we will have in abundance tonight.
We thank Liz and the dancers for bringing their work to us in Chicago. And we wish all of you, our patrons and members of the Dance Center family, a happy hiatus until we see you again when we open our Fall, 2017 season in September. Meanwhile, dance on and dance happy, everybody.
Director and Lead Curator
Dance Presenting Series
Liz Gerring Dance Company • Horizon
April 6, 7 and 8, 2017 • 7:30 p.m. Buy tickets
Banner: Claire Westby, Molly Griffin, Brandon Collwes in Horizon. Photo: Miguel Anaya
Above: Liz Gerring dancers in Horizon. Photo: Miguel Anaya; Claire Westby in Horizon. Photo: Thaddeus Rombauer. Brandon Collwes and Claire Westby in Horizon. Photo: Thaddeus Rombauer